Sound Maker Reference Accuphase Throat C-2860 Plus Fully Balanced Preamplifier HiFi Fever Preamplifier

Price range: $450.00 through $466.00

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Features & Compatibility

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MUSMYS C-2860 Plus Product Parameters:
Frequency characteristics: 20Hz~20KHZ (+0-0.15db)
3HZ ~ 200KHZ (+0 -3db)
Full frequency distortion: 0.002%
Input sensitivity: 250mV/47K (Balanced) 250mV/24K (RCA)
Rated output level: 2V/50 ohms, (Audio signal)
Maximum output level: 7.5V (Audio signal)
High and low frequency adjustment:+-15 db (C-245 PRO)
Signal to noise ratio: 118 dB
Minimum load impedance: 50 ohms
Power supply: AC110V/220V 50/60 Hz
Weight: Net weight 9.5 kg with packaging 12 kg
Dimensions: 430mm (width) 330mm (depth) 110mm (height)
Packaging size: 510mm (width) 450mm (depth) 240mm (height)

The Miaosi team has devoted itself to creating the C-2860/C-2860 Plus preamplifier. This product is the result of careful consideration and attention to various market demands, combined with our 30 years of design experience. It references the same
model as the original Japanese King Sound machine, uses imported components, and optimizes circuit parameters to ensure that its sound quality surpasses that of the original King Sound, resulting in a high-quality HI-END preamplifier.
The chassis is made of full aluminum alloy with precise CNC machining. Miaosi has its own hardware factory department, equipped with high-end machining centers and more than a dozen CNC machines. The brushing and sandblasting workshop is independently set up to support itself, all to ensure high-quality products. Therefore, the quality of our products is guaranteed.
We believe that the power supply is the most critical part of an audio system. If the power supply is not well made, nothing else matters. To achieve excellent sound, we start with the power supply. We use high-quality EI-type power transformers imported from Japan, with two used in one unit. Miaosi adopts a unique craft design and a new circuit connection method. The transformer does not hum, and even if you put your ear close to it, you won't hear any noise. A good transformer should work this way.

To make the sound purer, we focus on the rectification process first, using fast recovery diodes in a series rectification setup. This approach can be seen in high-end Marantz amplifiers and also has traces in American Mark Levinson amplifiers. Then we use six 10,000µF/50V Japanese Elna AUDIO capacitors for filtering, with a total capacitance of 60,000µF, which is more than sufficient even for a single amplifier. Our cost-no-object approach is solely to provide audiophiles with excellent sound without any shortcuts or gimmicks.

As a preamplifier, it is designed to amplify very weak signals, so the power supply must be stable without fluctuations. Adding a regulated power supply is essential. The original JinSangZi units do not include it, and similar products on the market also do not, so to surpass them, you must have your own understanding. Otherwise, you will always live under the shadow of JinSangZi, which is already a benchmark. Simply imitating or replicating it will not achieve superiority, as technology is always
progressing.

Regulated power supplies also vary in quality; you can't just use any random one, as the difference in sound is enormous. We experimented with over ten types of regulated power supplies and selected one that provides balanced, atmospheric, and
high-precision sound for the C-2860 Plus. After months of adjustments and comparisons, we finalized our choice. It was a very long and tiring experiment, but the result is that the C-2860 Plus now delivers sound far superior to the original JinSangZi C-245.
It's not an exaggeration to call the C-2860 an upgraded version of the C-245.

The left and right channel modules are made exactly the same, but the selection of components and the pairing of tubes are very important, as this affects the overall stability of the device. We ensure the use of original imported tubes and do not use
domestic or counterfeit ones—this is guaranteed by Miaosi. In the amplifier boards we tune, the midpoint output is zero, and the static current of each stage is carefully adjusted to ensure both channels are identical. This results in precise sound
positioning, a large soundstage, deep and clean background, and enjoyable listening, which is the style of Jin Sangzi.

Additional information

Weight12.000 kg
Dimensions51 × 45 × 24 cm
Brand NameNONE
Control MethodOthers
Materialothers
Surround sound channel configurationOthers
Output Power50
High-concerned chemicalnone
Maximum Power Per Channel95W
OriginMainland China

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